If you hear movie soundtracks in this piece (or a bit of Downton Abbey), you’re not hearing things. Vaughan Williams was such a master at capturing undefinable moodiness that he inspired a whole generation of movie and TV score composers. I had once wanted to be among them based solely on his works. There isn’t a sound so lush as a Vaughan Williams string section; I don’t think it’s possible to cram any more instruments or harmonies in there. I particularly love the range of his orchestration at the beginning, from the lowest notes of the double basses to the highest notes of the violins. Combined with the vaguely eastern chord progression, and the solo oboe (a classic Vaughan Williams tell), it makes for a very evocative beginning. Until the strings settle into something a little more standard around 0:50, and we remember, oh right, we’re in England.
This particular symphony is an excellent gateway drug to the rest of his body of work. Vaughan Williams’s most famous pieces are The Lark Ascending and Fantasia by a Theme by Thomas Tallis, but you’d be better served by diving a little deeper. If you like this piece, check out his Norfolk Rhapsody, whose simplicity surely must have inspired Aaron Copland.
3 thoughts on “Throwback Thursday: “Symphony No. 5 in D, 3rd movement,” Ralph Vaughan Williams”
Great post; great piece. Your friend Ronald Arnatt be delighted and proud. Now aren’t you glad you beloved forebear dragged your to Down Ampney?
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Excellent choice. English music in general doesn’t get enough respect outside of old Blighty. It would be nice to know the orchestra and conductor…nice performance and excellent sound.
Thanks very much, Chris! This piece gets me every time. It’s English without being too, well, English. A difficult balance to strike.
I believe this recording is off of the EMI label, performed by the Royal Liverpool Philharmonic Orchestra and conducted by Vernon Handley. At least, so said the intrepid Vaughan Williams fan who uploaded it to YouTube.