Funk Friday: “Get Up Offa That Thing,” James Brown

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I’m not entirely unconvinced that I haven’t spent this week in some sort of strange sonic pressure cooker.  Actually, I’m not entirely unconvinced that all of us poor humans haven’t spent the week in a strange sonic pressure cooker.  It certainly feels like it.

SO.

Do you know what we do when things get hard?  Like really, really, in-your-bones, buy-a-plane-ticket-to-anywhere, screw-this-and-all-y’all hard?

You know what we do.

We DANCE.

One other thing: THIS IS MY 200TH BLOG POST!  Cue balloon-drop!  Thank you to everyone around the world for making this blog so successful and so much fun to write.  It’s hard to write a post every single day but it’s such a blast to see new pings from all kinds of countries.  I am going to try and create a comment box to make this more interactive but for now – thank you, one and all.

 

Termagant Tuesday: “The Ritz Roll and Rock,” Fred Astaire

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These days it’s just about all I can do to keep pace.  Everything is moving just a little bit too fast.  But I’m still tap-dancing as best as I know how.  No one else mastered the art of this better than Fred Astaire.

Funk Friday: “What’s Golden,” Jurassic 5

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It’s a good Friday, Tune-Up fans.  The universe is moving in our direction, and things are looking up.  My air conditioner, which you may remember from Tuesday’s post, is getting removed today (maybe even put into a box!  Crazytown!), friends who are looking for jobs are getting interviews, I scored a major professional victory (to which Señor Boyfriend, when hearing about it, responded with “HUGEATHON!”), and the U.S. soccer team advanced to the knock-out rounds.  I think we all deserve a little celebration today.

Funk Friday: “Don’t Sweat the Technique,” Eric B and Rakim

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https://www.youtube.com/watch?v=dM5sIBIRDLQ

 

So, okay, England didn’t win yesterday.  Neither did my softball team last night (but we left it on the field, guys, we left it on the field – especially Kathleen, who bit it on the way to first and crawled the rest of the way to the bag and made it like the boss she is).  It was 97 degrees with 100% humidity and only one of the rooms of my house has air conditioning right now.  I have a chest cold that makes me sound like phlegmy Paul Robeson.  And I’ve got a best bud out west who’s wondering (completely rationally) what life’s deal is.

BUT.  In the plus column we have the following:

  • Today is Friday.
  • The mighty falling early in the World Cup makes room for awesome other countries to advance and we might have a very cool match on our hands with some first-tme winners.
  • We’re playing softball again next week (and against a truly odious team – like, literally the worst team ever) and have a good shot at kicking their ass.
  • The one room in my house with AC is my bedroom, so I’m sleeping very happily.
  • Mr. Yankette finds the sound of a phlegmy Paul Robeson alluring.
  • My best bud is also a cat-like badass.

So I’m take the long view.  Like the man says: “It’s cool when you freak to the beat – but don’t sweat the technique.”

 

Worldly Wednesday: “El Microfono,” Mexican Institute of Sound

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Brazil and Mexico tied each other in the World Cup yesterday, an outcome which I might be alone in thinking is kind of awesome.  I was a hell of a match, as you can see by the stats below.

The stats, below.

The stats, below.

Though Brazil was favored to win – home team advantage and all that – Mexico put up a hell of a fight.  Seven saves!  Amazing!  So it’s only fitting we take a quick trip to Mexico today and hang with the Mexican Institute of Sound.

Salubrious Saturday: “Live It Up,” 11 Acorn Lane

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Some Saturdays, you want to relax in a hammock, or take a long walk around town, or go for a hike, or file, or spy on your neighbors, or read the complete works of Kierkegaard.  Then there are other, special Saturdays when you want to gather all your best friends, get a suite at the Ritz, make a number of cocktails, play MarioKart on the TV, and have an adult slumber party.  This is one of those Saturdays.

Funk Friday: “Eyesight to the Blind,” Bad Influence

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Okay – first of all?  I know the drummer.  That drummer is a friend of mine.  (And you, sir, are no drummer.)  That drummer is a total badass and just about the nicest person you’ll ever meet.  So, now you, by extension, know the drummer.  You see once again why reading this blog is a good idea.

And second of all, this band is seriously incredible.  How they manage to have a sound that’s tight and at the same time so gritty, I’ll never know.  I’ve been a blues band myself it’s hard to sound…right.  You don’t want to sound too polished because that’s inauthentic.  The blues is earth-bound and cracked and held together with tape.  But if you sound too sloppy, then you just sound like you suck.  Bad Influence does not suck.  Anyone who knows me knows that’s a pretty big compliment.  Rock on, gentlemen.  And all y’all who like these guys, go to http://www.badinfluenceband.com for tour dates and other stuff.

Termagant Tuesday: “Jeeves and Wooster,” Annie Dudley

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I’ve lived in D.C. for ten years now.  Before that, I lived in the U.K.  Both places have the same arresting, and misunderstood, quirk, which is this: everyone spends the first five minutes of each new interaction trying to size the stranger up.  This manifests itself in different ways in both places.  In the U.K., I was asked questions about what school I attended, where in New England precisely I had lived, and – delightfully – what my family was “in.”  (That one in particular made me feel like I was at Epcot Center and the British person to whom I was speaking was actually an acting student from Gays Mills, Wisconsin.)  The obvious purpose behind all this was to assess where in the crusty social strata I fell.  Here is where the misunderstanding kicks in.  I learned over the course of many years that it doesn’t stop there, that there was a further point beyond that one, which was to ascertain how much of their own life were they now going to feel comfortable divulging.  It really didn’t have much to do at all with stereotypical snootiness, beyond the tacit acknowledgement of the existence of a social strata in the first place.  They just wanted to know who they were talking to so they didn’t do anything stupid.

The exact same principle exists in D.C.  Washington also has social strata, layered on top of which is the fascinating reality that no one just sort of ends up here: people come to D.C. by choice.  Therefore, where you work can speak immeasurable volumes about who you are, and everything that means: your politics, your background, your values, your level of cultivation, your drive, your everything.  So, the very first question you get asked in D.C. is, “So where do you work?”  Again, like the U.K, this isn’t only a yardstick of how you stack up against this stranger as much as it’s a gauge of how much you can relax around them.  Say you and your work friends from the E.P.A are out at a bar blowing off steam after a terrible day, and you run into an old college acquaintance who’s got some friends of her own in tow.  You’re not going to ask people where they work so you can pat yourself on the back again for going to Bennington.  You’re going to ask them where they work so that you know whether you can sound off about that coal country Senator who is still deciding whether or not to block the passage of muscular clean water legislation, or whether that new guy in the madras shirt is his legislative aide.

This is one of the many reasons I felt so at home in the U.K., and why I feel equally – if ironically – at ease in D.C.  I like living a life that cautions me against gum-flapping about Russia because I might be sitting next to the new President of the German Marshall Fund at the symphony.  True story.  (It was so awesome OMG.)  Puts me mind of my favorite Wodehouse quote, whose hilarious “Jeeves and Wooster” stories were turned into one of the best TV shows ever made:

“I’m not absolutely certain of the facts, but I rather fancy it’s Shakespeare who says that it’s always just when a fellow is feeling particularly braced with things in general that Fate sneaks up behind him with a bit of lead piping.”  — P.G. Wodehouse, “Carry On, Jeeves”