This is one of my top twenty all-time favorite songs of any genre. It’s got a wacky time-signature (7/8 – to 8/8? Is that right?), an upbeat and focused sound, and it sparks my imagination and lets it run riot. I’ll be running riot around D.C. crossing errands off my to-do list today, so you can bet I’ll have this in the ‘phones.
fun
Funk Friday: “In The Air,” The Apples
StandardThe First Funk Friday after the first day of spring calls for this breezy, warm-weather track from the great band The Apples that hails from Tel Aviv, Israel. I listen to this and I see myself throwing around a frisbee on the Mall, grilling at a friend’s place, inviting my crew to my roof deck, playing boozy croquet in the park – really doing anything that involves good friends, warm sun, cold drinks, and solid tunes. Spring, you ol’ so-and-so.
Termagant Tuesday: “Your Mind Is On Vacation,” Mose Allison
StandardThe Office of Personnel Management, in its infinite sagacity, closed the federal government yesterday because the District got a bit of weather. So, I and my fellow govvie types got to spend the day entertaining ourselves, either with work at our kitchen tables (hello), or feverishly filling out March Madness brackets, or having snowball fights, or getting terrifically soused at a “bottomless brunch,” or all four. This was just gravy as far as I was concerned. The older I get, the more I enjoy spending the entire day at home. Not because my place is amazing, which it is, or because I hate the outdoors, which I don’t, or because I neither own nor know how to operate a pair of pants, both of which are incorrect. No – it’s just, sometimes…people. I mean, seriously.
I was strolling to my favorite coffee shop this weekend when a woman turned from the upcoming corner onto my street and came to be walking in front of me. She was solitary, dressed in as normal an outfit as you’re likely to find in D.C., and all of a sudden, she started to laugh. Loudly. Then, started talking as if she were interrupting someone. Except, there was no one else around for a city block. Was she insane? Was she some sort of yuppie reincarnation of Teresa of Avila having her own private confab with God? Was she a one-person flashmob? An acting student? I sped up considerably to pass her in case she had a shiv and a plan, and in so doing noticed that she had one of those little blinking in-ear widgets. She had been on her phone. It’s entirely possible she was insane and on her phone. And somehow, I was supposed to accept this blithely and without comment, or – get behind me, Satan – conform and get my own little blinking in-ear widget so to numb the minds of others with one-way conversations about the pointless intangibles of my own life. No wonder Putin grabbed Crimea so handily. We were all on our cell phones talking about Swiffer Wet-Jets.
Things like this happen all the time now. It is a defining characteristic of the modern urban human condition. And it drives me absolutely mental. I should like there to be little quizzes administered after I run my errands, otherwise all my knowledge of a visiting man’s proclivity for miniature biscotti, a man whose chatty grandmother has just spent the past eight unhappy minutes trailing me around Trader Joe’s (does she have magnets in her skull? Go. Away.), will have gone to waste. Perhaps there could be gate-side therapists with Xanax-scented sound-proof booths for deplaning passengers so they can cleanse themselves of the knowledge of the woman in 13C – that she just landed, that her flight was on time, that it was a little bumpy, and that she plans to get home the usual way and will arrive at the appointed time because, I mean, at this time of day – well, you know – right, exactly.
I’m fully aware that I’m having a full-blown, unfettered “get off my lawn” moment, but I don’t care that, in this aspect, I’m turning into a crank. So pardon me if I don’t jump at the opportunity to be out amongst the great muttering unwashed when I have a day to myself. If you need me, I’ll be at home. And it’s extremely unlikely I’ll let you in.
Salubrious Saturday: “Roadrunner,” Jonathan Richman and The Modern Lovers
StandardA Daily Tune-Up Haiku: “It’s 65 Degrees and Sunny So I’m Going For A Really Long Run”
The Modern Lovers
Wrote this song. …Ok, good talk.
It’sniceoutsidebye!
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PS: To all my friends running the Rock n’ Roll Half Marathon today, including the inimitable K-Smash: crush some pavement!
Termagant Tuesday: “Roses on the Platform,” Yulia Pashkovska
StandardMan, I wish I had Yulia Pashkovska’s voice. Her tone is so full and warm without being overwhelming. Pashkovska was a major Ukrainian jazz singer in the 1960s. I can’t find much on her, at least in English, so if you have any background on her, *please* share; I’m dying to learn more.
Speaking of more, here’s what’s happening in Ukraine now. Ukrainian soldiers have rejected Russian demands that they pledge allegiance to the Kremlin, gold and oil prices rose as a reaction to the crisis, and the U.S. has suspended trade and investment talks with Russia.
Throwback Thursday: “Prelude and Fugue No. 3 in C-sharp Major,” J.S. Bach
StandardThese two pieces together sound like three friends going on a road trip. The Prelude is all of them excitedly discussing where they want to go. Some voices are heard more than others at which point they start getting into a minor (ha ha…hm) disagreements that are quickly resolved amicably. The Fugue is the trip itself. Friend One gets in his car and drives to Friend Two’s house, picks up Friend Two at 1:10, then they pick up Friend Three (who’s gone and gotten them all coffee) at 1:15. These friends then tootle on their way. There’s a bit of backseat driving after they take a wrong turn (1:34), but they finally get to their destination (2:27) and happily natter on about how great it is for a while until it gets dark (2:47) and they turn for home.
At least, that’s what it sounds like to me.
Worldly Wednesday: “Decent Days and Nights,” The Futureheads
StandardOh man this song is such a trip. The Futureheads are a great punk-oriented group from Sunderland, England, and so far, this is my favorite song of everything they’ve put out. I am a complete sucker for weird changes in time signatures, and the lyrics are interesting and funny. It’s a happy, lively song for the middle of the week, and the driving rhythm has earned it a top spot in my running playlist.
Termagant Tuesday: “Tokyo Traffic,” Dave Brubeck
StandardClassic Brubeck sound meets classic Japanese tonality = super cool. This song is off the 1964 album “Jazz Impressions of Japan,” and while it obviously draws on international sounds, it wasn’t the first Brubeck record to do so. That record was “Time Out,” and was released five years earlier in 1959. The idea for “Time Out” came from a trip Brubeck took around Eurasia in (I believe) the late ’50s, sponsored by the U.S. Department of State. Evidently, he heard a group of musicians in Turkey playing in 9/8 time, filed it away, and came back determined to devote an entire album to odd time signatures – hence the title, “Time Out.”
I know, you’re wondering why I didn’t post a song from that album, and when I’m going to get back to “Tokyo Traffic.” Hang with me, Tune-Up fans.
Columbia Records was extremely leery of letting Brubeck issue an album only in wacky time signatures and made him do an album of Southern folk standards first. You know what the biggest hit off of “Time Out” was? You guessed it – “Take Five.” That song off that album launched a whole oeuvre of globally-inspired jazz music – Brubeck in Amsterdam, Brubeck in Berlin – which brings us to “Tokyo Traffic.” (Told you this would all make sense.)
As much as I love “Take Five,” and I adore it (it’s on my Funeral Music list), there’s something really fun and exciting about “Tokyo Traffic.” It’s the first song off the album so it sounds like his very first day off the plane, wandering around. Brubeck in the liner notes talks about how overwhelming and wonderful it was to be in Japan, and I feel that when I hear this piece – it’s the musical equivalent of a guy being unable to stop swiveling his head around to look at everything. It makes me want to travel.
Imagine if the State Department hadn’t organized that trip for Brubeck; that he’d never heard Turkish musicians playing in 9/8 time; that, for whatever reason, the idea of doing an album of odd time signatures hadn’t occurred to him. No “Take Five,” no “Tokyo Traffic.” Pretty lame. And now imagine if way, way more people got out into the world a whole lot more. One guy wrote “Take Five” – what would you be inspired to do?
Modernism Monday: “Don’t Fence Me In,” David Byrne
StandardI love good cover songs. I love them. When they’re done well, they’re really a stroke of genius – they take the song to an entirely new level. This is such an example. What was a melodic but fairly hum-drum song about and sung by (sorry, I have to say it) a white guy becomes a global human rights anthem, an immigration song, a manifesto about personal freedom, and all the good and bad parts of America and its history, sung to a world beat rhythm by men and women of every color and background you could cram into three minutes. It’s magnificent and it supercharges my social justice batteries when I need it, which, let’s face it, is pretty frequently.
Sacred Sunday: “Izithembiso Zenkosi,” Ladysmith Black Mambazo
StandardIn case you aren’t familiar with them, Ladysmith Black Mambazo is a ten-man acapella group from Durban, South Africa. The name is a composite of three things: Ladysmith is the name of founder Joseph Shabalala’s hometown; Black refers to oxen; and Mambazo is the Zulu word for axe, which Shabalala chose to imply his group’s ability to “chop down” its singing rivals. A well-chosen name, as the group has been singing for fifty years.
The group definitely sings about the Christian gospel, but Shabalala has said that he wants to make music that appeals across the religious spectrum. “Without hearing the lyrics, this music gets into the blood, because it comes from the blood,” he says. “It evokes enthusiasm and excitement, regardless of what you follow spiritually.” This makes me very happy. This is my absolute favorite Ladysmith Black Mambazo song. I love the rolling rhythm and the repetitive melody is very meditative while still being lively and uptempo.
Ladysmith Black Mambazo sounds like my childhood. I grew up listening to my Mom’s cassette tapes, playing in one half of the basement while she refinished some antique piece of furniture in the other half. Ladysmith Black Mambazo also sounds like springtime, and today is our last hit of warmth before the polar vortex closes in on us again. Put this on and throw open all the windows.
