Modernism Monday: “Not Half,” Alfie

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Normally I’m pretty perky on Monday.  Today, though…man.  The problem is, this weekend was particularly fun, and I know this week at work will particularly suck.  So there’s really only one song I can think of that will make me feel like I’ve got a compassionate friend.  Check out the horn interlude (you knew it was coming) at 1:43.  I had this on my headphones when I was grocery shopping once in college and I actually literally started dancing down a vegetable aisle.  I regret nothing.

Sacred Sunday: “Beata Viscera,” Pérotin

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This gorgeous piece of music was written in Paris in the early 13th century, during the time of Notre Dame’s construction, by a man named Pérotin. My favorite version of this piece is sung as a solo by a countertenor in the Hilliard Ensemble, but this version done by Le Concert Spirituel, I enjoy enormously. I love how the entire choir is singing and I love how the volume builds. The thing I love the most is the sense of mystery, which is what I find the most comforting about religion. Life is confusing, so it calms me down to know that the origins of life (from a spiritual perspective) are confusing, too.

Beata viscera
Marie virginis
cuius ad ubera
rex magni nominis;
veste sub altera
vim celans numinis
dictavit federa
Dei et hominis

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

Blessed flesh
of the Virgin Mary,
at whose breasts
the king of eminent name,
concealing, under altered guise,
the force of divine nature,
has sealed a pact
of God and Man

O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Populus gentium
sedens in tenebris
surgit ad gaudium
partus tam celebris:
Iudea tedium
fovet in latebris,
cor gerens conscium
delicet funebris,

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

The people of the nations
huddling in the darkness
rise up at the joy
of so celebrated a birth.
Judea nourishes its resentment
in the shadows,
its heart bearing the knowledge
of the fatal crime.

O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Fermenti pessimi
qui fecam hauserant,
ad panis azimi
promisa properant:
sunt Deo proximi
qui longe steterant,
et hi njovissimi
qui primi fuerant.

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

Those who drunk the dregs
of the most villanous ferment
hasten at the promises
of unleavened bread;
they are the ones
who had long stood close to God
and these the newest
who were first.

O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Partum quem destruis,
Iudea misera!
De quo nos argues,
quem docet littera;
si nova respuis,
crede vel vetera,
in hoc quem astruis
Christum considera.

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

The birth which you destroy
O wretched Judea!
of him whom you denounce to us
because he teaches the law;
if you refuse the new law
then believe the old law,
in this One, whom you accuse,
behold the Christ.

O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Te semper implicas
errore patrio;
dum viam indicas
errans in invio:
in his que predicas,
sternis in medio
bases propheticas
sub evangelio.

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

You entangle yourself always
in the ancestral error;
as you point the way
wandering aimlessly:
among those things which you preach
you strew into the midst
the prophetic foundations,
below the gospel.

O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Legis mosayce
clausa misteria;
nux virge mystice
nature nescia;
aqua de silice,
columpna previa,
prolis dominice
signa sunt propera.

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

The mysteries of the Mosaic Law
have been closed;
the fruit of the mystical rod
is unknown to nature;
water from a stone,
a column leading the way,
are early signs
for the people of God
.
O astonishing novelty
and unaccustomed joy
of a mother still pure
after childbirth.

Solem, quem librere,
Dum purus otitur
In aura cernere
visus non patitur,
cernat a latere
dum repercutitur,
alvus puerpere,
qua totus clauditur.

O mira novitas
et novum gaudium,
matris integrita
post puerperium.

Salubrious Saturday: “My Old Kentucky Home,” The Kings of Dixieland

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It’s Derby Day, Tune-Up fans, “the most exciting two minutes in sport.”  For my international readers who don’t follow or care about horse racing – unforgivable! – the Kentucky Derby is arguably the most important race of the year, and has been held on the first Saturday in May every year since 1875.  It is the first in what’s called the Triple Crown: the Kentucky Derby, the Preakness (held in Baltimore, Maryland), and the Belmont (in Elmont, New York, and no, that’s not a typo).  Whoever wins the Derby continues on to compete in the other two.  Kentucky being the seat of American horse country, it makes sense for the race that begins the Triple Crown to begin here.

The Derby has a number of traditions.  Official drink: the mint julep (which was invented in Washington, D.C., at the Round Robin bar, in case you had a trivia night planned later today).  Official flower: the red rose.  And, official song: My Old Kentucky Home.  Some call it the most moving moment in sports when the horses take the field and this song is played.  I think that’s a bit rich, and I love the Dixieland version much more.  So raise your julep and have yourself a grand day.  My money is on Wicked Strong (7-1 odds), by the way.  Obviously.

Funk Friday: “They Say I’m Different,” Betty Davis

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To say this is one of my personal theme songs – me, a woman who lives for music –  would be like a devout Christian saying that the ten commandments were the rules they lived by.  It’s so obvious it sounds dumb.  It’s not at all lost on me either that there are few well-known female funk musicians, so I also bow down to Ms. Davis for kicking it in a male-dominated field.  And finally, she’s belting out a funk song about how people think she’s weird for loving the music she does.  That’s a pretty baller combination.  So, whenever I’ve been made to feel weird, or whenever someone patronizes me because I’m a woman, I lean on Ms. Davis for a little pick-me-up.  Works like a charm.

They say I’m different ’cause I’m a piece of sugar cane
Sweet to the core that’s why I got rhythm
My Great Grandma didn’t like to foxtrot,
no instead she spitted snuff and boogied to Elmore James

Spit On!

They say I’m different ’cause I eat chitlins
I can’t help it I was born and raised on ’em
That’s right, oh, every mornin’ I had to slop the hogs
and they be gettin off humpin to John Lee Hooker

Gettin off!

They say I’m different ’cause I’m a piece of sugar cane
and when I kick my legs I got rhythm
My Great Grandpa was a blues lover
He be rockin his moonshine to B.B. King and Jimmy Reed

Rock on pappy!

That’s why they say I’m different
That’s why they say I’m strange

Talkin bout Big Mama Thornton
Talkin bout Lightning Hopkins
Talkin bout Howlin Wolf
I’m talkin bout Albert King
Alright
Alright
Chuck Berry, Chuck Berry, Chuck Berry
When I was sweet sixteen

And that’s why they say I’m different
That’s why you think I’m strange

I’m talkin bout T. Bone Walker
I’m talkin bout Muddy Waters
I’m talkin bout Leadbelly, Sonny Terry, Brownie McGhee, Son House, and Freddie King
Bessie Smith!
Bessie Smith! Oh, Oh, Hey

Oh Bo Diddley have you heard it?

That’s why they say I’m different
That’s why they say I’m strange
and that’s why they say I’m funky

Little Richard, Wild Lou, sunshine you sure can sing
Robert Johnson, Robert Johnson, Robert Johnson!
You play the blues for me

That’s why, That’s why, That’s why they say I’m different
That’s why, That’s why, That’s why they say I’m strange

Throwback Thursday: “Violin Concerto in D major,” Erich Korngold

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I had the great good fortune of seeing this performed live with Gil Shaham about a few weeks ago and oh, jeepers, was it ever amazing.  I had never heard of Korngold before that night and I forgot how glorious it is to be surprised by new music.  This piece absolutely knocked me flat.

Korngold was an American composer and a contemporary of Aaron Copland – Korngold wrote this piece in 1945, three years after “Rodeo” and “Fanfare for the Common Man.”  Korngold experiments with both atonality and out-and-out romanticism than does Copland, but there are echoes of Copland’s work especially in the third movement (at 17:17).  More than anything, the violin concerto sounds like a movie score (“E.T.,” anyone?), which isn’t a surprise since Korngold did write movie scores.  In fact, his score for “The Adventures of Robin Hood” (with the raffish Errol Flynn) won an Academy Award in 1938, the first time the award had been given to a composer and not the director of the studio’s music department.

Beyond all this, the second movement (08:56) is just exquisite.  It’s my favorite part of the concerto.  Go ahead, call me a sap.

Worldly Wednesday: “Ghost Riders in the Sky,” Vân-Anh Vanessa Vo

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Vo is a Vietnamese musician who specialized in traditional music.  The instrument she is playing is called the đàn bầu.  The đàn bầu is a single-stringed instrument whose pitch you change by pulling it with the bar on the end, which is made of buffalo horn.  Vo is an incredibly cool person for a whole variety of reasons, not least of which is that it is a seriously big deal to play traditional music as a woman – it’s (now almost) entirely dominated by men.  After she emigrated to the U.S., she collaborated with a number of groups, most notably Kronos Quartet (one of the major interpreters of Steve Reich’s music), and won an Emmy for her music in the documentary film, “Bolinao 52.”  Vo is a a big fan of blending eastern and western music, and this interpretation of the Johnny Cash song is touched with genius.  A hearty thanks to a friend and colleague who sent this to me.

Termagant Tuesday: “Semper Fidelis March,” Bob Crosby

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What with all the hoo-hah happening in the world (yes, I am a defense analyst, hello), it occurs to one, especially this American one, that there are certain things we all count on to maintain order and stability.  Among these things, which would include trade and commerce, diplomacy, and a worldwide dislike of Justin Bieber (at least among those old enough to make powerful decisions), is the United States Marine Corps.  Say what you will about the use of American power abroad, you can’t deny that there is a reason why “Marine” has a powerful ring to it.  To salute my male and female friends in the Corps, most especially one friend in particular who is welcoming his first child into the world, I offer up this zippy Bob Crosby number.  Semper Fi!

Modernism Monday: “Touch The Sky,” Julie Fowlis

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Oh, Tuners, I am on such a high.  I ran the Nike Women’s half-marathon yesterday and I can’t believe I did.  I honestly can’t.  It’s going to be an experience that I’m going to lean on for years to come.  This song came on my iPod just as I was getting into a sweet cruising zone, and so now whenever I hear this, I’m going to remember that feeling of, “holy crap, I can do this!  I am doing this!” Every now and again, it feels really, really good to see what you can do when you really push it.

“Live in the sunshine, swim the sea, drink the wild air.”  – R.W. Emerson

Salubrious Saturday: “Conquering Lion,” Souljazz Orchestra

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Someone once asked me what my motto was.  And by “someone once asked me,” I mean I wish someone would have asked me once.  Except then I wouldn’t have been able to come with one on the spot, so thanks, everyone, for holding off until I could think of one.

Actually, ok, I lied.  I have a few.

  1. “Don’t be mean, don’t be stupid.”  – High school art teacher
  2. “Keep Calm and Don’t Suck.”  – A sign I saw once
  3. “What you do speaks so loudly that I cannot hear what you say.”  – R.W. Emerson
  4. “If there’s a can of whoopass in the room, I open it.”  – Brian Williams (yes, the NBC News Brian Williams.  Yes, he really said that.)

I like to think this song encapsulates all four.